Men Without Women: Stories

Description

A dazzling Sunday Times bestselling collection of short stories from the beloved internationally acclaimed Haruki Murakami.

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all.

Marked by the same wry humour that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.

Reviews

‘Supremely enjoyable, philosophical and pitch-perfect new collection of short stories…Murakami has a marvelous understanding of youth and age’ – Observer

‘Murakami at his whimsical, romantic best’ – Financial Times

One of the Best Books of the Year: – The Washington Post, NPR, and Esquire

“[A] beguilingly irresistible book. Like a lost lover, it holds on tight long after the affair is over. . . . Part allegory, part myth, part magic realism, part Philip Marlowe, private eye. . . . Murakami puts the performance in performance art.” —The New York Times Book Review

“Time and again in these seven stories, Murakami displays his singular genius. . . . The stories in this collection find their power within the confines of common but momentous disturbances that linger on in memory.” —Los Angeles Times
 
“Mesmerizing tales of profound alienation. . . . Murakami is a master of the open-ended mystery.” —The Washington Post
 
“Beautifully rendered. . . . Murakami at his whimsical, romantic best. . . . [He] writes of complex things with his usual beguiling simplicity—the same seeming naivety found in the Beatles songs that are so often his reference points. The stories read like dirges for ‘all the lonely people’ but they are strangely invigorating to read.” —Financial Times
 
“Classic Murakami. . . . [His] voice—cool, poised, witty, characterized by a peculiar blend of whimsy and poignancy, wit and profundity—hasn’t lost its power to unsettle even as it amuses.” —The Boston Globe

Author Biography

In 1978, Haruki Murakami was twenty-nine and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, that turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe. Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks.

His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.